Archive for the ‘Sample Images’ Category

Nikon 105mm VR macro sample of a bee

Monday, July 7th, 2008

Stany shared a stunning close-up photo of a bee shot with the Nikon D3 at ISO 1600 plus Nikkor 105mm VR macro lens.

ISO 1600 bee macro sample photographed with a Nikon D3 plus Nikkor 105mm VR lens

View a larger version of the picture and read the related forum thread here.

In that post, Stany also commented that the new Nikon D3 firmware v2.00 has improved AF (autofocus) performance with non-AF-S Nikon lenses. The slight hunting experienced previously with some AF-S lenses has also been solved.

The photo was shot in RAW mode and converted using Nikon Capture NX2.

More shot data here: f/16, 1/400 sec, handheld.

Nikon D3 Photos from Paris

Tuesday, March 25th, 2008

Peter Haanschoten shared an excellent set of Nikon D3 images taken while on a trip to Paris.

Click the thumbnail below to access Peter’s 2008 Paris gallery (don’t forget to click the Original link below each individual photo for best viewing):
Nikon D3 photos from Paris by Peter Haanschoten

The related forum thread discussing these photos is here, and I list some of the more interesting points:

  1. Peter is impressed by the fast and responsive AF (autofocus) even in low light, colors and high ISO capability of the D3. High ISO performance is far superior to his other cameras, the Nikon D2H and D200.
  2. Good high ISO performance means that a tripod was not needed most of the time, as the ISO can be boosted without worrying about noise (color remains great even at ISO 3200 or 6400) and handholding the camera at low shutter speeds. For the 1/1.6 seconds Eiffel Tower shot, the D3 was braced against a wall.
  3. For postprocessing, Adobe Photoshop CS3 and Photoshop Lightroom were used. Peter recommends http://www.lightroomkillertips.com/ for tips on using Lightroom. For those who like the U-point technology found in Nikon Capture NX but don’t like using the software, Nik Viveza, which is a plugin for Photoshop, can be used as an alternative.
  4. On camera settings, the photos were taken in JPEG Large / Fine mode and Auto White Balance. Picture Control used was Standard with Sharpening at +3. Peter prefers JPEG files as they’re faster to work with in Photoshop / Lightroom. The Redynamix Photoshop plugin was used to create the HDR effect from a single image.
  5. Only a single lens was used to capture the photos, the AF-S Zoom-Nikkor 28-70mm f/2.8D IF-ED

Nikon D3 Test Samples from Nikon-Fotografie.de

Thursday, October 4th, 2007

There are no full-sized sample images available, but I’m already loving the color and noise performance of the D3, based on these photos.

Here are the links:

  1. Nikon D3 plus Nikkor 24-70mm vs Nikon D2X plus Nikkor 17-35mm
  2. ISO 5000 portrait and ISO 3200 still life – both photos come with 100% crops
  3. Nikon D3 plus Nikkor 24-70mm vs Canon EOS 1Ds Mark II plus EF 24-70mm f/2.8L

The Nikon D3 and 24-70mm seems to stack up well against the Canon combination in terms of less vignetting at f/2.8 and better colors and tonality. Of course, we don’t know for sure if the D3 was helped by its Active D-Lighting in bringing up the shadows.

I really wish I could get my hands on these full-sized samples (and who knows, the NEF / RAW files too) so that I could host them on my own server … sigh. There’ll be a ton of folks who, like me, would like nothing more than look at each pixel on our screens and print them up at 24 x 36!

More Osaka images – this time, the source is French

Wednesday, August 29th, 2007

Derek posted a thread pointing to this source of Nikon D3 samples from web site of Fédération Française d’Athlétisme.
Fédération Française d

The link above takes you to a D3 photo. You’ll see two thumbnails above the photo – click the left one, and you’ll see Canon 20D pics (keep clicking the left thumbnail to see more 20D images); click the right thumbnail to see more D3 photos.

Due to the volume of images, you do get a mix of D3 and 20D pics, so you might want to try skipping several pics by changing the sequence number in the section of the URL that says mediaid=nnnnn. For some unknown reason, the Canon 20D photos are really bad – here’s Sean’s opinion.

Alternatively, go to their Osaka 2007 photos page, where you’ll see links on the right for each day of the event. Clicking the link takes you to the gallery of images for that particular day. Using this technique, I managed to locate this superb photo of Christine Arron doing her 100m dash (the bokeh’s fantastic! – data says Foc. 500,0 – I wonder if that means the new Nikkor AF-S 500mm f/4G ED VR lens was used?).

If you ask me, I think I prefer the D3 photos. And perhaps this photo is one reason why many have the opinion that the Nikon D2Xs camera is not at its best when high ISO is required (compare with the D3 equivalent).

Of course, this is provided the camera identification for each photo is legitimate, since there is absolutely no EXIF data available. Gerard McGovern, in a thread about the trial of the Canon EOS 1D Mark III’s latest firmware Version 1.1.1, confirms that there are a few D3 cameras in use at the games.

For what it’s worth though, they’re great images to look at regardless of the camera used to shoot them.

More Nikon D3 samples from the IAAF World Championships, Osaka 2007

Tuesday, August 28th, 2007

Nikon D3 samples from the Osaka games, 2007
Nikon D3 images continue to appear on the internet, but no is able to claim with confidence, or otherwise, that these are indeed shot with the Nikon D3.

Thomas Comerford notes though, that if someone wanted to fake the EXIF, they certainly went to a lot of trouble, since the Nikon Makernote is present in the EXIF, complete with ” … an IFD that points to an embedded 570 x 375 JPEG preview image … “, which is also present. Also, if a file had been opened and saved with Photoshop, most of the EXIF data from the photos will not be readable in Nikon Capture / NX / Viewer.

EXIF may have been doctored, who knows? Personally, I’m not comfortable with the fact that Adobe Photoshop appears in the software field of the EXIF. This ISO 5000 shot, and another at ISO 2000 for instance, shows Adobe Photoshop CS2 being used on the image, although the focal length of 10.5mm and the image characteristics seem to suggest that the Nikkor 10.5mm DX f/2.8 fisheye lens was used.

For now, all we can do is just head over to these forum threads at DPReview.com (which then link to the Xitek.com threads, when you’re there, locate the page numbers at the bottom to progress through the thread) and hope that the D3 images are real:
• Mainly ISO 640 shots (these are from a recent volleyball championship in China)
More D3 samples. There are three or more Canon EOS 1D Mark III shots in the mix, just so you are aware. Here’s a link that takes you to the entire collection of D3 images by this Xitek.com forum poster. My favorites are the Nikkor 10.5mm fisheye photos.
• Mainly ISO 5000 shots. These have gone through Photoshop, so we won’t know what sort of post processing, if any, were done on them. Joao Sobral is impressed with the Dynamic Range of the third ISO5000 shot.

Interesting is also the fact that quite a number of these photos have focal length of 600mm and Max Aperture of f/4 in the EXIF – perhaps the new Nikkor AF-S 600mm f/4G ED VR lens was used?

Nikon D3 ISO 3200 Samples – Leaked!

Tuesday, August 28th, 2007

Nikon D3 Unofficial ISO 3200 Images
Who’s the photographer? I want to shake his (her) hand!

By the way, the photographer with the Canon 1D Mark II / III cameras strapped around his neck happens to be on Gerard McGovern’s team.

The fact that the first ever full-sized images to come from a new Nikon digital SLR are high ISO samples shows how much pent up demand there is for a high-performance, high-ISO workhorse camera from Nikon.

Anyway, go get an eyeful of two, full-sized originals from a pre-production (Ver.0.25 appears in the Software field of the EXIF data). The 6.3 MB files were first found here.

If for any reason the download link above doesn’t work, I’ve mirrored them on my Pbase account:
_EF22344.JPG | _EF22348.JPG

The appearance of an underscore prefix in the filename means that the images were shot in Adobe RGB colorspace. If you have Photoshop and it’s set in a non-Adobe colorspace, you’ll get a message warning you that the file you’re opening was shot in Adobe RGB when you open the JPGs.

I’ve created two screen captures of EXIF for both files as seen in Nikon Viewer:
_EF22344.JPG | _EF22348.JPG

From the EXIF data, you’ll see that the lens used is the new Nikkor AF-S 400mm f/2.8G ED VR, Nikon’s latest super telephoto lens, announced on 23-August-2007 along with two other super telephoto zooms.

For a more complete set of EXIF data, read the post by Julia Borg that has links to the EXIF dump.

Additionally, D200_4me proves that it’s a cinch to apply effective sharpening and noise reduction to these photos in Nikon Capture NX.

Reactions to these photos

Here are a couple of examples:

I’m quite willing to bet that it’s been a while since you’ve seen such strong reactions to Nikon photos.